La Galerie des Professionnels du film 🎥

Compétences : - Prise de vue #Fiction / #Documentaire / #Institutionnel - Mise en lumière de scènes - Travail en équipe, gestion d'équipe - Étalonnage (Davinci Resolve) - Montage (Premiere / Resolve) Motorisé, équipé d'un véhicule utilitaire pour le transport du matériel Équipé de 2 caméras Sony FX6 Cinema line et d'un Sony A7s III en caméra B, stabilisateur Ronin et optiques variées. Station de travail pour le montage et l'étalonnage. #SÉRIE 2025 PRISONER (Amazon Prime USA) - Réal : Ingrid Franchi / Chef Opérateur sur 4 épisodes #LONG-MÉTRAGE 2025 L’AGNEAU (Canal+, Cine+) - Hésiode productions / Chef Opérateur            1 KM AUTOUR - Toupie Films / Chef Opérateur, Co-Producteur 2020 A.U.D - Y-A production / 1er Assistant caméra #COURT-MÉTRAGE 2025 MOONLANCOLIE - Réal : Oriane Caulet / Chef Opérateur, Etalonneur            DING DINGUE DONG - Helix Films / Chef Opérateur, Etalonneur 2024 L’HOMME IDEAL - Helix Films / Réalisateur, Monteur, Etalonneur, Producteur            AMEL - Helix Films / Chef-Opérateur, Producteur 2022 ALTERNATIVES - Réal : Florian Massoulle / Chef Opérateur            ALIEN - Réal : John Anthony / Co-Chef Opérateur            OXYMORE - 18 jours Production / 1er Assistant caméra            NOCTURNE - 18 jours Production / 1er Assistant caméra            DANS SES PETITS YEUX - Réal Ludmilla Donn / Chef Opérateur 2021 DONALD - Blasphem prod / Chef Opérateur            LA BOITE DE PANDORE - Réal : Cendrine Gourbin & Franck Boss / Chef Opérateur            SAMSARA - Project Hunting / Chef Opérateur Retrouvez un portfolio plus étendu sur mon site https://www.cousinie.net/portfolio

There aren't really #any creative goals, we walk, we see things, we are touched by them. We touch with the eyes. They goes into the pupil and they comes crashing inside the skull. Then, the tongue comes to recover the pieces in the head. So it becomes #something else. It's still the same but the #taste has changed. And it is this change that gives direction to the #fingers on the hands. The smell of fire is sweaty. Like wet #charcoal that cools. In the street, the walls of buildings #darken, the flames ejaculate through the windows. #The skins of passers-by begin to cook. The color #changes, the cracks are everywhere. It gets all #dry on their face. The #teeth are #popping. And then the rats with fleas all over the place. #Rats that fly overhead. Rats that squeak softly. Who tense and relax. Slowly. And the rat's tail is sweeping. It's because they ate death. So they make faces of silence. There's this room from #Texas with big red letters like a music hall. Inside it is a crowd in a fog of sweat. Hubbub, hubbub. Did you see ? Ha they took it apart. #Who is it for? Good evening welcome. Good evening, take a seat. Good #evening #welcome. Two #wrestlers stretch out in a #corner. There is one with red overalls, the other is naked and hairy. They start to knock over chairs and tables. Crash crash crash. The crowd loudly applauds the spills of sweet cakes and drinks on the floor. An old #rickety teacher walks by and gets scared, the table makes a lot of #noise on the floor. The retiree starts a #heart attack, his heart squeezes hard in his chest. #The sharp pinches in his body and the thorns in his legs. His breathing is a jolt. The #crowd apprehends. The old woman takes out her survival kit and pricks her #wrinkled arm with a syringe. It regulates the heartbeat. The blood circulates again through the meat pipes. The show resumes

▀ CONTEMPORARY ART AND DISSENSUS CINEMATOGRAPHY (R&D for a critique of audiovisual representation and reproducibility in the aesthetics of cultural domination) • PERVERTIMENTO (the question for the theatre) | Visual Essay. Experimental | TRAILER https://vimeo.com/750031820 | (79', 2022) • MATRIX HOUSE | Visual Essay. Experimental | TRAILER | https://vimeo.com/712840110 (17', 2022) • NANCY IN JULY | Experimental documentary | TRAILER https://vimeo.com/426771777 | (187', 2020. Whit Jean-Luc Nancy) • WUNDERBLOCK | Visual Essay. Experimental | https://vimeo.com/166828990 (160', 2020. Avec Jean-Luc Nancy). • PORTRAIT D' UN OISEAU AU 4ème ÉTAGE | Experimental Documentary | https://vimeo.com/272920313 (16', 2017) • PORTFOLIO | https://vimeo.com/alfonsolegaz • ARDECHE IMAGES (Lussas) | Cinematography of the author hosted in archive | https://ardecheimages.org/ • FILMFREEWAY | https://filmfreeway.com/alfonsolegaz • BIO | QUICK SCHEDULE: https://linktr.ee/alfonsolegaz3.0 • CONTACT | alfonsolegaz2.0@gmail.com ▀ Born in Düsseldorf to Spanish parents, he is a multidisciplinary artist who lives and works in Valencia. He holds a Master's degree in Photography, Art, and Technique from the Polytechnic University of Valencia, with studies in Philosophy, and his practice links thought and philosophy to contemporary art. His projects revolve around the categories of the “representable” and the “unrepresentable” that determine documentary construction and artistic practice, drawing on strategies from anthropology. His first multimedia work (2006) is one of the 100 most outstanding books published in the 21st century by the Photographic Memory Archive of the Civil War. He incorporates chance as a productive agent in his highly participatory processes, working with photography, hybrid film essays, ethnographic audiovisuals, archives, oral testimony, psychoanalysis, artistic and scientific literature, and the creative acts of other artists. Trained by international specialists such as Alexander G. Duttman, Catherine David, Jean Françoise Chevrier, Laurence Rassel, Esther Ferrer, and Joan Fontcuberta, his work has directly intervened or dialogued with the physical work of artists such as Cristian Boltanski, Darío Villalba, Antoni Tàpies, Cristopher Baker, Agustí Centelles, Xavier Ribas, Rabih Mroué, Jacques Prèvert, and Anton van Dyck. He has received collaboration from thinkers such as the French philosopher Jean-Luc Nancy, around whom he has developed long-term experimental projects in Europe that have been very well received by theoretical specialists and researchers, mainly at the Complutense University of Madrid. A substantial part of this work has been shown and published at international events such as specific conferences on art, aesthetics, and visual studies, as well as in art and philosophy publications with quality assurance evaluation standards. Teacher with more than 10 years of experience coordinating workshops and courses related to visual arts production and visual literacy. He created the Producer of Presence Lab workshop laboratory, focused on the procedural dimension of real artistic processes at the service of social emancipation in the political sense proposed by Jacques Rancière. His visual work, both individually and as part of a team, has been developed in various European countries, staying in specialized archives and libraries, documentary centers, and Spanish and foreign art collections such as the Reina Sofía National Art Museum, the Civil War Photographic Memory Archive, the UNED University Consortium, Jaume I University, the Ramón J. Sender Foundation, the Ardèche Images documentary film archive center in France, and Kunstagentur Dresden in Germany. His multidisciplinary production has been presented in Spanish venues and events, where his photography has won awards, as well as at festivals and exhibition centers in Glasgow, Dresden, Athens-Aegina, New York, Mexico, and Lussas.

Basé à Paris, formé à la direction de la photographie à l'ENS Louis Lumière, je pratique avec passion ce métier depuis plus de dix ans. Anciennement professeur de yoga et adepte de la méditation, mon travail s’oriente vers des portraits intimes, avec une dimension contemplative, sensible ou spirituelle. J'ai aussi un long passif de musicien et j'affectionne particulièrement les projets liés à la musique. Je suis également formé à l'étalonnage sur DaVinci Resolve et je possède mon propre équipement afin d'être autonome sur des productions à budget restreint (caméra Canon C70, optiques prime, retours, transmission vidéo et follow focus HF, éclairages LED, modeleurs, grip...). contact@davidcabannes.com

Sergio Cavero Egusquiza est acteur et musicien (guitare chant). Parallèlement, il fait du mannequinat, des défilés et s'illustre dans des clips et au cinéma. FILMOGRAPHIE Médecin de nuit 16 juin 2021

https://www.julienlemoine.fr/ Bande démo : https://vimeo.com/539300505 Actu ciné 2024 LE SKETCH DU BRIQUET : https://www.festivalnikon.fr/video/2023/5265 MOURIR, MOURIR OU MOURIR : https://www.festivalnikon.fr/video/2023/3356 Prochainement OUROBOROS LES MARTYRS AUSSI IRONT EN ENFER

🏅 Prix du Meilleur Court Métrage (Feel the Reel Festival, Glasgow, 2021) 🏅 Prix pour la Meilleure Photographie (Paris Inter Film Festival, Paris, 2021) 🥈 Finaliste du Meilleur Court Métrage (Shot Shot Festival, Russia, 2021) 🥉 Nomination du Meilleur Court Métrage (Paris Film Festival, Paris, 2021) Toutes mes créations cinématographiques sont disponible sur: brondyhumphrey.com #film #série #étalonnage #postproduction #cinematic #artdirector #directeurartistique #festival #professionnel #projet #libre #réalisateur

She’s worked on campaigns for Twinnings, Nestlé, Colgate, Columbia Sportswear and BNP, to name a few. Whether it’s a bright and friendly read or something more smooth and reassuring, Sara knows how to strike the right tone. She takes pride in delivering authentic, natural performances that connect with audiences. Recording from her soundproofed and acoustically treated Studiobricks booth, equipped with a Neumann TLM 103 microphone, she provides high-quality recordings with a fast turnaround, making her an ideal partner for agencies and production houses worldwide. Dedicated, detail-oriented, and always up for a new challenge, Sara believes that the best voice-over performances aren’t just heard—they’re felt. #voiceover #english #voixoff #anglaise #commercial #publicité #corporate #narration #institutionnel #elearning #audioguide #guideaudio #explainer https://www.sarawoodcock.com/

Né à Barcelone. Études et formation dans l'école de cinéma Centre Calassanç - ESCAC (École Supérieure de Cinéma et Audiovisuel de la Catalogne) à Barcelone. Je vis (et travaille) entre Paris et Barcelone, notamment dans des productions internationales où la connaissance des différentes langues dans lesquelles je peux m'exprimer a été très utile. Parmi les projets auxquels j'ai collaboré se démarquent entre autres: "The Machinist" de Brad Anderson (2004) "Le Parfum : Histoire d'un meurtrier" de Tom Tykwer (2006) "The Garden of Eden" de John Irvin (2008) "Tetro" de Francis Ford Coppola (2009). Vaste éxpérience en #35mm, #16mm et #Numérique (#Alexa; #ArriAlexa, #Alexa35, ...) Parle couramment 6 langues (catalan, espagnol, français, anglais, portugais et italien)

Je veux faire des films O.V.N.I, des films sur la vie. Le cinéma est un art, il faut essayer de nouvelle forme de narration et, peut-être, que cela donnera du bonheur au public, au spectateur à la personne qui est en face de vous.

Ingénieur du #son / Technicien #vidéo / Régisseur événementiel / Tech réseaux et #streaming. Équipé de #régieaudio, #régievidéo #multicam #réalisation en #direct, #sonorisation, ...